
Click Here to Read: There Will Be Megalomania ‘The Master,’ From Paul Thomas Anderson, Reviewed by O.A. Scott in The New York Times on September 13, 2012.
A dystopian film. “ THE MASTER”
For some time I was occupied by a search for a title for this review of ‘The Master’; Paul Thomas Anderson’s 70 mm film homage to post war alienation and deceit. Anderson is a student of film history while his being an auteur is essential to understanding his intent. He stands on the shoulders of earlier filmmakers, influenced by them and seeking to relate his version of the “American Dream”. Some of the facts concerning the film are important; it is Continue reading The Anti-Freud: Bennett Roth’s Review of the Film The Master









