Leo Rangell’s Music in the Head

Click on screen below to view Leo Rangell’s presentation on Music in the Head, part 1:

Click on screen below to view Leo Rangell’s presentation on Music in the Head, part 2:

Click on screen below to view Leo Rangell’s presentation on Music in the Head, part 3:

Leo Rangell “Man In A Group” (1975): 3rd annual Waelder Memorial Lecture
http://internationalpsychoanalysis.net/2009/11/10/leo-rangell-on-watergate-1975-man-in-a-group-3rd-annual-waelder-memorial-lecture/

Click Here to Listen To: Leo Rangell “Man In A Group” (1975): 3rd annual Waelder Memorial Lecture.

Click Here to Read:Social Crises and the Nature of Mind by Leo Rangell


Click Here to Read:
Discussion Group: Psychoanalytic Perspectives on Music


Click Here to Read:
Review of Leo Rangell’s “The Road to Unity in Psychoanalytic Theory” by Jeff Golland


Click Here to Read:
A Review of A Road to Unity by Leo Rangell by Arthur Lynch


Click Here to Read:
A Review of A Road to Unity by Leo Rangell By Arnold Richards

An Era of Money, Minds and Trotsky: The Eitingons: A 20th-Century Story By Mary-Kay Wilmers

Eitingons Click Here to Read:  An Era of Money, Minds and Trotsky:  The Eitingons: A 20th-Century Story By Mary-Kay Wilmers, Reviewed by John Lloyd  on the Financial Times.com website on November 29, 2009.

Click Here to Read: Getting under the family skins, a review of The Eitingons: A Twentieth-Century Story on this website.

Click Here to Read:  The Eitingons: Orlando Figes on a family quest into the dark recesses of Stalin’s Russia on this website.

“Unforgiven”: Identification with Death

In Clint Eastwood’s film, Unforgiven, he plays a familiar role, a psychopathic killer hero.  In this film, however, he appears to take an introspective approach to his character and those who admire his character.  In the process, the film allows us an opportunity to examine some of the dynamics of killing and of our interest in seeing it on the screen.  Ultimately, it provides us with another fantasy designed to defeat death.

The film centers around William Munny, played by Eastwood.  In a prologue, and in the early scenes of the film, we learn that he had been an outlaw and killer, but had been reformed by his wife, Claudia.  She had died in 1878 of small pox, two to three years before the action of the film, leaving Munny with the care of his young son and daughter.

     Continue reading “Unforgiven”: Identification with Death