
by Herbert H. Stein
How does a film evoke our emotions? I found my own emotions buffeted about as I watched David Lynch’s film, Mulholland Drive. It can be a difficult film to watch. It appears to be a suspense/mystery story about two young women in danger. But there are strange intrusions into that story that are at times macabre. About three quarters of the way in, the plot dissolves, the characters change identity, and we experience a melange of scenes that suggest a very different story. Interestingly, amidst the confusion, I found myself responding with shifting affects, anxiety for the most of the first part of the film, with a strong feeling of sadness at the end.
Mulholland Drive is structured much like a dream, except that there is no clear identification of a dreamer. It is like a dream experienced rather than a dream remembered. There is no waking up, no available remembered day residue. Continue reading A Psychoanalytic Tour of “Mulholland Drive”