Click Here To Read: Inscribing Jewish Identity: Reading an Italian Hebrew Sonnet by Cheryl Goldstein in the New Vilna Review written on April 9, 2008 and published on October 15th, 2008.
This article originally appeared in the New Vilna Review.
Judith Hemschemeyer
Although best-known as the pre-eminent translator of the great Russian poet, Anna Akhmatova, Judith Hemschemeyer had achieved recognition as a poet long before that. She has published four poetry collections: I Remember the Room Was Filled with Light (Wesleyan University Press, 1973); Very Close and Very Slow (Wesleyan University Press, 1975); The Ride Home (Texas Tech University Press, 1987); and Certain Animals (Snake Nation Press, 1998). A book of her short-stories, The Harvest, was published by Pig Iron Press in 1998.
It was in 1973 that she first encountered the poems of Akhmatova, becoming so enchanted by them that she studied Russian in order to translate them into English, a project that took thirteen years. Her Complete Poems of Anna Akhmatova, a two-volume, bilingual, hard-cover edition, was published in 1990 by Zephyr Press, followed by three English-only paperback editions and a selected bilingual edition.
With this awe-inspiring achievement behind her, she continues to teach Creative Writing and Literature at the University of Central Florida and to provide readers with new poems. It gives me much pleasure to introduce Judith Hemschemeyer to you today with these three. The first, “Or Just Miss,” is from her new, unpublished manuscript. The other two are from her award-winning books.
–Irene Willis, Poetry Editor
Continue reading Poetry Monday: Judith Hemschemeyer
POETRY MONDAY
Ross Gay
The poetry of Ross Gay has drawn much attention lately – and with good reason. His poems, mostly in the lyric narrative mode, are striking in their energy and compassion.
Born in Ohio, he grew up outside of Philadelphia and has a Ph.D. in American Literature from Temple University. A painter and basketball coach as well as a poet, he teaches at Indiana University and in the new, low-residency MFA program founded by Gerald Stern at Drew University in Madison, New Jersey.
Here, for reading on our first September Monday, are three poems by Ross Gay. The first, “Season of Dreams,” is a new, unpublished poem he selected personally for our readers. The other two are from a book I can’t recommend highly enough, Against Which, published by CavanKerry Press.
Irene Willis
Poetry Editor
THREE POEMS BY ROSS GAY
The Season of Dreams Continue reading POETRY MONDAY: Ross Gay
Click Here to Read: Tyger Time: e.e. cummings on Conscientious Objection by Henry M. Seiden which was previously published as Seiden, Henry M. (Summer 2008).Tyger Time: e.e. cummings on Conscientious Objection. Psychologist/Psychoanalyst 28(3):11 and appears here with all requisite rights and permissions.
POETRY MONDAY
Richard Berlin
Although Richard Berlin is a psychiatrist in private practice in the Berkshires in Western Massachusetts, a professor at the University of Massachusetts Medical School and the author of many scientific papers, I know him as a poet – and a fine one, at that. I first encountered his work when he read from his newly published chapbook of poems, Code Blue, at a local bookstore some years ago. There were other poets reading, but his poems stood out for their honesty, direct language and subject matter that was rarely dealt with in poetry. We are still lacking, to a large degree, poetry from the world of work, and here was someone who was writing it out of necessity and urgency.
Since then, Berlin has gone on to publish a full-length collection, How JFK Killed My Father, which was published by Pearl Editions and won the Pearl Poetry Prize.
His most recent book is not his own poetry but a collection of essays by other poets, Poets on Prozac (Johns Hopkins University Press), which, despite its pop title, is a serious look of the effect of mental illness and treatment on the creative process.
Here, by Richard Berlin, are two new, unpublished poems, “Freud” and “While Talking to a Psychoanalyst at a Party” and a third, “What a Psychiatrist Remembers,” which received a Robert H. Winner Memorial Award from the Poetry Society of America.
Irene Willis
Poetry Editor
Continue reading Poetry Monday: Richard Berlin
The following article appeared in Winter 2007 newsletter of Division 39 (Psychoanalysis) American Psychological Assn and appears here with all requisite rights and petitions. Henry M. Seiden. He does a regular quarterly column on poetry and psychoanalysis there.
Old Pond, Frog Jump In. . . .
Henry M. Seiden, Ph.D. ABPP
I’d venture to guess that no poetic form is at once so widely admired and so little understood as haiku. The brevity seems to invite imitation–as if short should make it easy to do. And the minimalism lends itself in popular imagination to corny one-line jokes. But even when taken seriously, the seventeen syllable, 5-7-5, arrangement of lines, which has an organic relevance in Japanese (having to do with Japanese writing, speaking and even breathing patterns), has little meaning or relevance in English. Continue reading Old Pond, Frog Jump In…. by Henry M. Seiden
Poetry Monday: Jeff Friedman
Jeff Friedman
POETRY MONDAY
July 7, 2008
If you don’t already know the poetry of Jeff Friedman, you will find his work a delightful discovery. He is the author of four collections of poems, the most recent of which, Black Threads, was published by Carnegie Mellon University Press in 2007. His poems and translations have appeared in many literary journals and magazines, including American Poetry Review, Ontario Review and The New Republic. A contributing editor to Natural Bridge, he is a core faculty member in the M..F.A program in Poetry Writing at New England College. Continue reading Poetry Monday: Jeff Friedman
POETRY MONDAY: June 2, 2008
Michael Waters
It’s my pleasure this month to introduce the distinguished poet Michael Waters, whose publications include eight collections of poetry and numerous anthologies and critical works. Among his awards are fellowships from the National Endowment for the Arts and the Maryland Arts Council, three Pushcart Prizes, and residencies in Ireland, Switzerland and on Malta. His readings, workshops and visiting professorships have taken him throughout the U.S. and abroad, including Prague, Baghdad, Iasi (Romania) and Toulouse. A longtime professor of English at Salisbury University in Maryland, Michael Waters will be assuming a similar position at Monmouth University in New Jersey in September 2008.
Here, then, are three poems from Michael Waters’ book Parthenopi: New and Selected Poems (BOA Editions) that he is pleased to share with us.
Irene Willis
Poetry Editor
Continue reading Poetry Monday: Michael Waters