“Blind”: Looking Inward

Strictly speaking, it would be virtually impossible to make a successful feature film in which the audience sees the world through the eyes of a blind person. However, the Norwegian director, Eskil Vogt, has accomplished something far better, creating a film, Blind, in which the audience sees the world through the mind of a blind woman.

In the process, he provides a special treat for psychoanalysts and those who are interested in the inner workings of the mind. In fact, the film uses blindness not simply as a tragic occurrence, but also much the way we use the analytic couch, as a vehicle to encourage the inner workings of the mind by reducing the “distraction” of immediate perception. Continue reading “Blind”: Looking Inward