Review of “Freud in Zion,” by Eran Rolnik, Reviewed By Nathan Szajnberg, MD, Managing Editor

Review of Freud in Zion, by Eran Rolnik, Reviewed by Nathan Szajnberg, MD, Managing Editor

I review Freud in Zion hesitantly, as I hope to transmit its intellectual heft, while maintaining its style of a historical thriller.

Why should I have been surprised at the scholarly yet engaging style of Rolnik, this Israeli psychoanalyst?

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Read Rieff on Lanzmann’s Patagonian Hare by N. Szajnberg, MD Managing Editor

Click here to read David Rieff’s review of The Patagonian Hare, “A Vast Choir of Voices: On Claude Lanzmann,” from the July 2-9, 2012 edition of The Nation.

In an earlier post, Arnie Richards and I reviewed Claude Lanzmann’s memoir, this writer who also produced the nine-hour Shoah, a landmark film for the twentieth century. Click here to read said post, “This Justifies a Life: Lanzmann’s Memoir and Yom HaShoah by Nathan Szajnberg.”

David Rieff reviews this book in the Nation.  His review reads like the recipe for how one need prepare venison: first you have to eviscerate it, then you can enjoy the steak. He begins by gutting Lanzmann: “Even the most passionate of lifelong romances tend to cool with time. But… Lanzmann’s … self-involvement seems only to have risen with the passing decades.”  Rieff identifies a style of French writing (not found among French scientists; moreso amongst essayists and such) as a “confederacy of braggarts.”  Not to be found in the gaggle of penman traits such as irony, self-effacement or stoicism. Witness Sartre. Or Beauvoir, his (Sartre’s and Lanzmann’s) lover.

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