Click Here to Read: One of the World’s Greatest Art Collections Hides Behind This Fence: The superrich have stashed millions of works in tax-free storage. So what does that mean for the art? By Graham Bowley and Doreen Caravajal in The New York Times on May 28, 2016.
Category: Art
The Geneva Free Port, behind barbed wire, is crammed with storage vaults that contain some of the most exquisite artworks ever made, tucked away where they may not be seen for decades.
FRED MERZ FOR THE NEW YORK TIMES
Private collector shines rare spotlight on China’s Cultural Revolution, in pictures
Serial Photos of Palmyra Show Extent of Damage Done by ISIS
A Psychological Portrait of Eva Hesse
How Serge Poliakoff Predicted 60 Years of Painting
Click Here to Read: How Serge Poliakoff Predicted 60 Years of Painting by Rob Colvin on the HyperAllergic Website on April 27, 2016.
Installation view with Serge Poliakoff, “Composition Abstraite” (1957, left), oil on panel, 51 1/4 x 38 1/4 in, and Serge Poliakoff, “Bandes Colorées” (1937, right), gouache on paper, 15 x 7 3/4 in (photo by Brian Buckley, courtesy Cheim & Read)
Ancient Phallus Carving Gets Public Exposure After Two Decades as Garden Ornament
The Shadow of Zaha Hadid
Female Architects on the Significance of Zaha Hadid
Click Here to Read: Female Architects on the Significance of Zaha Hadid By Randy Kenney and Robin Pogrebin in The New York Times on April 1, 2016.
Zaha Hadid said she could “see the incredible amount of need from other women for reassurance” that they could be successful in architecture. CreditBrigitte Lacombe/Zaha Hadid Architects