In the July, 2005 issue of The Psychoanalytic Quarterly, Leon Balter examines seven dreams from the literature and his own clinical work in which a patient describes either a dream within a dream or a work of art within a dream. Starting from Freud’s formulation that the “dream within a dream” represents reality that the dreamer needs to deny by portraying it as a product of imagination, Balter convincingly comes to the conclusion that the “nested” dream or work of art represents in greater or lesser disguise a distressing reality that is being partially denied. A dream or work of art within a dream should alert us to an attempt to disguise a distressing inner or outer reality while also creating a question, uncertainty, about how we can know what is real.
What if we applied Balter’s findings to a play within a film?1 The film I had in mind is Finding Neverland, a popular film about J.M. Barrie’s creation of the play, Peter Pan. The “nested” play is, of course, Peter Pan, itself, a play well known to most of the audience. Continue reading Siblings 3: Finding (Unconscious Conflict in) Neverland