Click Here to Read: How August Sander and Otto Dix Recorded Fascism’s Rise: Questions posed in a two-artist exhibition at Tate Liverpool reflect back on our own politically desperate era, often with eerie resonance by Tim Keane on the HyperAllergic website on October 8, 2017.
August Sander, “Turkish Mousetrap Salesman” (1924-30, printed 1990), photograph, gelatin silver print on paper, 260 x 191 mm, ARTIST ROOMS Tate and National Galleries of Scotland. Lent by Anthony d’Offay 2010 (© Die Photographische Sammlung / SK Stiftung Kultur – August Sander Archiv, Cologne / VG Bild-Kunst, Bonn and DACS, London 2017)